Julie Powell is a photographer, writer and educator, offers unique photographic opportunities and inspirational ideas to help YOU become the photographer you wish to be.
Owning my own home studio for portraits and still life photography I am always on the lookout for bits and pieces. So when items come across my path I rarely say no, especially if they are free.
If you don’t have a website and don’t wish to go to the expense and hassle of arranging or building one, Adobe Portfolio might be just what you’re looking for.
Are you looking to create a soft romantic look for your portraits? It’s never been easier in Luminar AI. You can also add a creative element to them as well.
Last week I held the 1920’s Great Gatsby inspired portrait workshop. We ended up moving from Moorabbin studio to the Narre Warren studio, but it’s all good, as we have all the goods at the home studio.
Are you looking for some creative ideas to use traditional Valentine Day colors like red and pink? What about picking one and do a selective color couples shoot?
In this last instalment of my colour grading mini-series, I take a little look at the different tones in your image with the Color Balance adjustment, allowing you to add various colours to the highlights, mid-tones and shadows of your images. I personally like to add a little yellow in my highlights and a little blue in my shadows, but you can play around and find a colour balance that’s just right for you.
I thought I might share something a little different with you today. I was recently asked over on Photofocus Community to share more before and after images, so I thought I would create a video of my full edit (sped up slightly) and explain what I did and how I got the finished image.
Covid-19 is making all sorts of things difficult including couples portraits. But if you’re willing to take a break from standard portraits and get into something a little more fun and creative, you don’t have to be seen with those darn surgical masks!
I was not in my studio, I had to carry and take everything with me, so I had to pack (relatively) light. It really got me thinking about what I really needed to shoot macro while out and about.
Sure, there are even more photographers playing in the field today than ever before. That old adage about anyone who picks up a DSLR, right? But trying to outdo each other or undercut each other isn’t doing anyone any favours. In fact, we believe it is doing the opposite.
In the last video (Part one) we looked at Selective Color, this instalment I take a little look at the Channel Mixer in Photoshop. I really like the quick and easy way to work with the different channels of color even in a B&W/Monochrome image.
Very excited to reason a Highly Commended for The Girl in the Peacock Green Dress
There are so many great ways to use colour in Photoshop non-destructively. From altering the colour of clothing to subtle adjustments in shadows and highlights. You can use a myriad of tools or just one or two. In this three-part mini-series, I explore a few of my favourites. Starting with Selective Colour.
A great way to add some interest to your photos is with using LUTs in Photoshop. LUTs (Lookup tables) have mostly been using for color grading film and video for years, think cinema blockbusters.
I adore using curves in Adore using curves layers in Adobe Photoshop, I think I use that one tool, more than any other, quick and easy and can make such a difference with little effort.
While you might all be feeling a little chilly in the Northern Hemisphere, down here in Australia we are sweltering in the Summer heat. Nothing quite beats an iced tea on a balmy Summer evening.
This is an age-old question, well, as old as digital photography and DSLR are at any rate; to shoot in Raw or JPEG. Many cameras are set to JPEG straight out of the box, so why bother to change?
This was a recent dilemma I faced. I currently have older Bowens Strobes in the studio and while there is nothing actually wrong with them, the recycle time was too slow and I had found they were continually misfiring with my Sony a7RIII. I also have an older Nikon Speedlight, it was all quite serviceable, but I wanted something that did High-Speed Sync and had a much faster recycle time, and that all worked very well together, but what to get…
